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	<title>Leipzig Zeitgeist Blog</title>
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	<link>http://blog.leipzig-zeitgeist.de</link>
	<description>Leipzig&#039;s International Voice</description>
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		<title>American Film History of Cinema: The ‘50s</title>
		<link>http://blog.leipzig-zeitgeist.de/2013/06/05/american-film-history-of-cinema-the-%e2%80%9850s/</link>
		<comments>http://blog.leipzig-zeitgeist.de/2013/06/05/american-film-history-of-cinema-the-%e2%80%9850s/#comments</comments>
		<pubDate>Wed, 05 Jun 2013 10:10:19 +0000</pubDate>
		<dc:creator>Elizabeth</dc:creator>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Upcoming event]]></category>

		<guid isPermaLink="false">http://blog.leipzig-zeitgeist.de/?p=3854</guid>
		<description><![CDATA[
Thursday, 6 June at 8:15 pm
Presentation (German) and Movie Screening (English)
memento. Leipzig / Kolonnadenstraße 1, on Dorotheenplatz
free admission
This Thursday evening memento. Leipzig Café DVD &#38; Video Store will screen the Gene Kelly classic, “Singin&#8217; in the Rain.”
The focus of cinema history this week is on American films of the 1950s, as part of the free [...]]]></description>
			<content:encoded><![CDATA[<p><a href="https://www.facebook.com/photo.php?fbid=576217175742822&amp;set=oa.560904417265619&amp;type=1&amp;theater"><img class="size-full wp-image-3855  alignnone" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/06/memento_june.jpg" alt="memento. Leipzig / American Film History of Cinema: The ‘50s" width="394" height="520" /></a></p>
<p><strong>Thursday, 6 June at 8:15 pm</strong></p>
<p>Presentation (German) and Movie Screening (English)<br />
memento. Leipzig / Kolonnadenstraße 1, on Dorotheenplatz<br />
free admission</p>
<p>This Thursday evening <a href="http://memento-leipzig.de/memento/" target="_blank">memento. Leipzig Café DVD &amp; Video Store</a> will screen the Gene Kelly classic, “Singin&#8217; in the Rain.”</p>
<p>The focus of cinema history this week is on American films of the 1950s, as part of the free series <em>American Film History of Cinema: From Drive-ins, Sure Seaters, Musicals and CinemaScope</em>.</p>
<p>Leipzig film scholar Claudia Cornelius presents these events with an introduction to the film, in German, followed by the film screening, in English.</p>
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		<title>Calling all Storytellers!!! Friday 7th June, 7pm</title>
		<link>http://blog.leipzig-zeitgeist.de/2013/06/04/calling-all-storytellers-friday-7th-june-7pm/</link>
		<comments>http://blog.leipzig-zeitgeist.de/2013/06/04/calling-all-storytellers-friday-7th-june-7pm/#comments</comments>
		<pubDate>Tue, 04 Jun 2013 13:28:55 +0000</pubDate>
		<dc:creator>Christina</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.leipzig-zeitgeist.de/?p=3841</guid>
		<description><![CDATA[Who doesn&#8217;t love stories, fairytales, myths and legends? Although we all enjoy a trip to the cinema, theatre or opera, traditional storytelling when done by an expert can be more enthralling than any 3D blockbuster or costumed extravaganza.
Life-changing even.
This Friday, The English Room is very proud to host award-winning storyteller Michael Kerins.
With their blend of [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_3842" class="wp-caption aligncenter" style="width: 410px"><img class="size-full wp-image-3842" title="aesop03" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/06/aesop03.jpg" alt=" Picture: Milo Winter's illustration for The Wolf and the Kid - by another famous storyteller...Aesop." width="400" height="585" /><p class="wp-caption-text"> Picture: Milo Winter&#39;s illustration for The Wolf and the Kid - by another famous storyteller...Aesop.</p></div>
<p><span style="color: #898f9c; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Who doesn&#8217;t love stories, fairytales, myths and legends? Although we all enjoy a trip to the cinema, theatre or opera, traditional storytelling when done by an expert can be </span><span style="display: inline; color: #898f9c; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">more enthralling than any 3D blockbuster or costumed extravaganza.</span></p>
<p>Life-changing even.</p>
<p>This Friday, The English Room is very proud to host award-winning storyteller <a href="http://storyawards.org.uk/poll/outstanding-male-storyteller-2012-winner-michael-kerins" target="_blank">Michael Kerins</a>.</p>
<p>With their blend of folktales and contemporary life, Michael&#8217;s stories thrill, entertain and affect people in ways they never expected.</p>
<p>After his stories, Michael often invites people to tell their own, and will certainly be happy to talk about his craft.</p>
<p><strong>WHEN: Friday 7th June at 7pm!</strong></p>
<p><strong>WHERE: The English Room, 54 Kathe-Kollwitz-Str</strong></p>
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		<title>Tanzoffensive 2013 puts &#8220;mixed ability&#8221; center stage</title>
		<link>http://blog.leipzig-zeitgeist.de/2013/05/31/tanzoffensive-2013-puts-mixed-ability-center-stage/</link>
		<comments>http://blog.leipzig-zeitgeist.de/2013/05/31/tanzoffensive-2013-puts-mixed-ability-center-stage/#comments</comments>
		<pubDate>Fri, 31 May 2013 10:42:45 +0000</pubDate>
		<dc:creator>Maeshelle</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[so leipzig]]></category>

		<guid isPermaLink="false">http://blog.leipzig-zeitgeist.de/?p=3796</guid>
		<description><![CDATA[in&#8217;·va·lid or in·val&#8217;·id? We stopped using that archaic term years ago. I remember seeing DV-8&#8217;s Can We Afford This/The Cost of Living in London. Many things about the performance moved me, but what has stuck with me most was the interplay between the one dancer and another who had no legs. They explored some quite [...]]]></description>
			<content:encoded><![CDATA[<p>in&#8217;·va·lid or in·val&#8217;·id? We stopped using that archaic term years ago. I remember seeing DV-8&#8217;s C<a href="http://www.dv8.co.uk/projects/canweaffordthis/about" target="_blank">an We Afford This/The Cost of Living </a>in London. Many things about the performance moved me, but what has stuck with me most was the interplay between the one dancer and another who had no legs. They explored some quite dark sides of behavior, with the dancer first being verbally abusive and then moving to very personal questions we all wonder about and finally to just talking to him as he would any other person. The whole time they were playing with level and positioning. In the end the dancer attempted to do choreography that only the man with no legs was able to do.</p>
<p>I am very intrigued to see how the choreographers at <a href="http://www.tanzoffensive.de" target="_blank">Tanzoffensive</a> will approach these topics. The Lofft always has very high quality performances&#8230;I can&#8217;t wait!  Here&#8217;s a quick highlight of what they have l<a href="http://www.tanzoffensive.de" target="_blank">ined up</a>:</p>
<div id="attachment_3829" class="wp-caption alignnone" style="width: 530px"><img class="size-full wp-image-3829" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/05/Heimat+3_c_Stefan-Nöbel-Heise.jpg" alt="Heimat+3, photo Stefan-Nöbel-Heise" width="520" height="345" /><p class="wp-caption-text">Heimat+3, photo Stefan-Nöbel-Heise</p></div>
<p><a href="http://www.lofft.de/web/aktuell.php?nr=519" target="_blank">Heimat + 3</a></p>
<p>Three people. Three stories that couldn&#8217;t be different and yet are one and the same. Dancers with and without disabilities examine the consequences of their pasts. We alternate between wonderful childhood memories and ones of deprivation. A flash of memory can save or destroy us. The dancers, themselves decide how they will be affected.</p>
<p>&#8220;The mixed-abled dance theater company of the villa is physical theater in the truest sense.&#8221; (From the Jury for winning the motion Leipzig Art Prize 2012)</p>
<p>CHOREOGRAPHY novel Windisch DANCERS Stefanie Berndt, Emilie slides, Lisa Zocher MUSIC / PIANO Franziska Tannert MUSIC / PIANO January forge ARTISTIC ASSISTANCE Heike Wenzel PRODUCTION MANAGER Marion Müller / <a href="http://www.tanzlabor-leipzig.de/VILLA_tanzt/Startseite.html" target="_blank">Tanzlabor Leipzig</a></p>
<div id="attachment_3831" class="wp-caption alignnone" style="width: 426px"><img class="size-full wp-image-3831" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/05/the-sound-of-it_c_Jan-Stradtmann.jpg" alt="the sound of it, photo Jan Stradtmann" width="416" height="520" /><p class="wp-caption-text">the sound of it, photo Jan Stradtmann</p></div>
<p>The Sound of It</p>
<p>THE SOUND OF IT is a piece about the hearing. The work focuses on the background of dance and choreography of the movement of sound in space.</p>
<p>THE SOUND OF IT explores the performative potential of noises. They become actors and choreographers. The audience follows the part-documentary soundtrack via headphones, while the space is recorded simultaneously by two performers. Thus, the project falls somewhere between dance and sound art. The documentary sounds were produced during a four day period at the LOFFT where extras performed a set choreography.</p>
<p>&#8220;On stimulating way stressful and a bit scary.&#8221; Taz</p>
<p>CONCEPT AND CHOREOGRAPHY Lucia Glass IDEA AND RESEARCH Lucia Glass with Manon Santkin WITH Maxwell McCarthy and extras Mathews ARTISTIC CONSULTING ENGINEER Florian Christian Valhi</p>
<p>www.luciaglass.com</p>
<p>Following the last performance in the PUBLIC TALK LOFFT-WG. Moderator: Dr. Thomas Kahlisch (director German Central Library for the Blind)</p>
<p>Particularly suitable for the blind and visually impaired. The performance takes place entirely in the dark.</p>
<div style="width: 1px;height: 1px;overflow: hidden">Three people. Three stories as they could not be more different and yet are one and the same. The dance laboratory in Leipzig provides taste of home with the +3 is the question of the significance of origin.</div>
<div style="width: 1px;height: 1px;overflow: hidden">The dancers with and without disabilities to experience the consequences of their past. Wonderful childhood memories and fragments of deprivation flicker alternately. A single sequence of memory can save us, but also destroy everything. The dancers themselves decide how they deal with the reflection of the experience.</div>
<div id="attachment_3833" class="wp-caption alignnone" style="width: 530px"><img class="size-full wp-image-3833" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/05/Changeable-Cohesion_2_c_Chintaka-Thenuwara.jpg" alt="Changeable Cohesion, photo Chintaka Thenuwara" width="520" height="347" /><p class="wp-caption-text">Changeable Cohesion, photo Chintaka Thenuwara</p></div>
<p>Changeable Cohesion</p>
<p>Born into a period of civil war. Once familiar structures now involve risks and everyday moments can turn into unpredictable threats &#8230; How does a man  navigate when his environment no longer offers security? How fragile is existence? On the contrary, what unsuspected strengths and creative energies come forth?</p>
<p>The project TRANSITION DIN A 13 tanzcompany examined similar emotional circumstances in environments that are historically, socially and geographically distant from each other: Sri Lanka, Venezuela, Israel and Germany.</p>
<p><a href="www.din-A13.de" target="_blank">&#8220;DIN A 13 </a>is pure avant-garde. Gerda König can do everything, &#8216;just not normal&#8217;. Exhibitionism and intelligence share the same wavelength. It goes beyond the cages and dances somewhere between São Paulo and Nairobi at the pleasure, &#8216;that normality just is what you make of it.&#8217; &#8220;Dance</p>
<p>CHOREOGRAPHY Gerda König CHOREOGRAPHIC ASSISTANCE Marc Stuhlmann DANCERS Suranga Bopitiya, Venuri Perera, Saman Pushpakumara, Nadeeka Tharangani, Mahesh Umagiliya, Thusitha Wimalasuriya MUSIC Harsha Makalande VIDEO &amp; CULTURAL COACH Vishnu Vasu COSTUMES Nikita Deana LICHTDESIGN Ryan Holsinger &amp; Gerda König LIGHT IN GERMANY Gerd Weidig PRODUCTION MANAGER Gustavo Fijalkow. Based on the concept of transition Gerda König and Gustavo Fijalkow</p>
<p><img class="alignnone size-full wp-image-3837" src="http://blog.leipzig-zeitgeist.de/wp-content/uploads/2013/05/tanzoffensive-schedule.jpg" alt="tanzoffensive schedule" width="520" height="400" /></p>
<p>Along side the performances are must see films at Prager Frühling. My advice? book your tickets in advance. Some performances are already sold out!</p>
<div style="width: 1px;height: 1px;overflow: hidden">Immeasurable beauty is revealed when certainties are turned upside down and the fragility of existence is felt. Six dancers, two women and four men with different physical appearances.</div>
<div style="width: 1px;height: 1px;overflow: hidden">Born into a period of civil war. One time, in the familiar structures involve risks and everyday moments can turn into unpredictable threats &#8230; How does a man, if his familiar environment offers no more security? How fragile their existence appears? What unsuspected strengths and creative energies are released to the contrary?</div>
<div style="width: 1px;height: 1px;overflow: hidden">The project TRANSITION DIN A 13 tanzcompany examined similar emotional circumstances in environments that are historically, socially and geographically distant from each other: Sri Lanka, Venezuela, Israel and Germany. The dance production changeable cohesion, originated in Sri Lanka, is the first stage of the overall project. After its premiere at the International Theatre Festival of Colombo, the production for the Cologne Dance Prize 2012 has been nominated.</div>
<div style="width: 1px;height: 1px;overflow: hidden">&#8220;DIN A 13 is pure avant-garde. Gerda König can do everything, &#8216;just not normal&#8217; to be. Exhibitionism and intelligence lie with her on the same wavelength. It goes beyond the cages and dances somewhere between São Paulo and Nairobi at the pleasure, &#8216;that normality just is what you make of it.&#8217; &#8220;Dance</div>
<div style="width: 1px;height: 1px;overflow: hidden">CHOREOGRAPHY Gerda König CHOREOGRAPHIC ASSISTANCE Marc Stuhlmann DANCERS Suranga Bopitiya, Venuri Perera, Saman Pushpakumara, Nadeeka Tharangani, Mahesh Umagiliya, Thusitha Wimalasuriya MUSIC Harsha Makalande VIDEO &amp; CULTURAL COACH Vishnu Vasu COSTUMES Nikita Deana LICHTDESIGN Ryan Holsinger &amp; Gerda König LIGHT IN GERMANY Gerd Weidig PRODUCTION MANAGER Gustavo Fijalkow. Based on the concept of transition Gerda König and Gustavo Fijalkow</div>
<div style="width: 1px;height: 1px;overflow: hidden">A production of DIN A 13 tanzcompany. Supported by Goethe-Institut Sri Lanka, Ministry of Family, Children, Culture and Sports of North Rhine-Westphalia, NRW Culture Secretary of Wuppertal, NRW Art Foundation, Schmitz Foundation, Cultural Department of the City of Cologne and Sunethra Bandaranaike Trust.</div>
<div style="width: 1px;height: 1px;overflow: hidden">www.din-A13.de</div>
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